.: OCTOBER-NOVEMBER 2002

She started in Aussie TV but struggled for years until David Lynch’s TV-series-turned-movie Mulholland Dr made her a star. Now Naomi Watts comes full circle in the horror remake The Ring. By Angela Baldassarre

   A virtual unknown a year ago, Aussie-raised Naomi Watts has descended unto the Hollywood star-making machine like an angel on a cloud. Her head-turning role in David Lynch’s Mulholland Dr has thrust the blonde bombshell into a quasi A-list category, with filmmakers clamouring to sign her up as the next sultry “find.” The irony here is that Watts, 33, is no newcomer, with over 15 credits under her belt.
   “That is funny, isn’t it?” She smiles as she stretches her slender legs on the hotel-room couch. “I thought people would’ve remembered me in Flirting, considering it did so well in North America. But most people don’t even know that Nicole Kidman was in it.”
   Nor do they remember that Watts played Jet Girl in that highly publicized box-office flop Tank Girl. “There are so many disappointments in this business, you just have to be resilient,” she says. “What’s weird is that the disappointment gets bigger as I get older. It’s like the scab keeps coming off.”
   Watts’ luck continues to rise, however, with the highly anticipated thriller, The Ring, due in theatres October 18. Directed by Gore Verbinski (The Mexican), The Ring is the English-language remake of the popular 1998 Japanese film Ringu, which was itself based upon the first novel of a trilogy by Suzuki Koji, and has already been followed in Japan by the sequel, Ringu 2, and the third film, Ringu 0, a prequel.
   The story centres on Rachel Keller (Watts), a journalist who discovers a disturbing videotape with a bizarre history. Strangely, everyone who views the videotape dies exactly one week afterward. Believing this to be an urban legend until her own niece dies after watching it, the cynical reporter investigates and watches the tape. Unsettling occurrences ensue. Is Rachel slated to be the next victim of some bizarre and seemingly supernatural force?
   Despite now having a variety of interesting roles to choose from, Watts is cautious about her newfound notoriety. “I’ve lived the ups and downs of the business,” she confesses. “I did a couple of things when I was 19, then I did some modelling in Japan, and that was horrible. I swore at the time that I’d never do anything in front of the camera again. But after meeting [director] John Duigan, I decided to give Flirting a try. It did so well in Australia that I moved to Los Angeles after so many people said they’d offer me jobs. But it was a disaster. I couldn’t even get casting agents to fax me scripts. I had to drive for an hour to go pick them up, and then wait hours in a line-up for an audition. And this was for real crappy roles!”
   Despite possessing an unnerving Grace Kellyish beauty, Watts has not had an easy life. Born in England, her parents separated when she was child. Her father, Peter ‘Puddy’ Watts, was the tour manager for Pink Floyd (his is the laughter on Floyd’s ‘Speak To Me’) and his lifestyle forced Naomi’s mother to raise her daughter and young son Ben practically alone. After her father suddenly died when Naomi was 10, her mother Patricia, who had taken up with a series of bad boyfriends, moved the kids to Australia, where Naomi admits she had a hard time. “Let’s just say that I had a very sad childhood,” she confesses.
   Naomi began taking acting lessons at age 14, and after several commercials and small movies (For Love Alone, Home and Away) she tried her hand at modelling, then magazine work as a fashion stylist, and finally came Duigan’s Flirting. Other work during that period included Duigan’s Wide Sargasso Sea opposite Catherine Zeta-Jones and, coincidentally, Scott Coffey’s Ellie Parker, about an Australian actress struggling with life in Los Angeles.
   “Kinda like in Mulholland Dr, no?” laughs Naomi about her role in Lynch’s film.
   Watts seems to have finally found professional and personal satisfaction. She recently finished work on both James Ivory’s Le Divorce opposite Kate Hudson and Gregor Jordan’s western drama The Kelly Gang with fellow Aussie Heath Ledger, whom she is currently dating.
   Watts smiles. “Let’s say that I’ve come full circle.”

.: ALSO IN THIS ISSUE


Avril Lavigne
.: Becoming a Real. Wild. Child.


Emm Gryner
.: Independent Woman


The Ring
.: Naomi Watts

.: OTHER INTERVIEWS


Moby
.: Sole Survivor

.: ACCESS FILM


XXX
.: Diesel Power


Insomnia
.: Katherine the Great

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